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  • Backstory

    • November 9, 2019
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      Most people have an overwhelming fascination for the lives of others, what we have in common with them, how we are different, their trajectories, how they start, how they finish, the balance of their strengths and weakness, the way they suffer, succeed or fail.  Every other person is in some way a version of
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  • Calms and storms

    • October 5, 2019
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      A common narrative device in the manipulation of tension is to intersperse points of calm before and after periods of excitement.  This allows both space for tension to build and the establishment of a strong contrast in order to maximise the effect of the event when it arrives and for the audience to adjust
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  • The prologue

    • August 31, 2019
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      The original version of ‘Casanova in Paris’ never included a prologue but for several reasons we decided to create one, even though that meant beginning the novel with quite a lot of text which for some readers of graphic novels might be a bit off-putting.  It fleshes out his character and establishes his turbulent
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